We all know that at reetsweet we love a splash of colour, a bit of humour, sillyness and fashion in our handmade - but you know what we also love? Sheer prettiness...The Art Salon specialises in one of a kind homewares - all with a high fashion, super pretty finish.
They've just opened at Redbrick Mill in Batley where 'the work on display is inspired by a love of decorative art, objects and design. All objects and artworks are lovingly handmade by Rebecca Appleby with selected items exhibited by other designer-makers...'
The aim is to create a gallery-shop that showcases a varied and continually changing selection of original, unique pieces, and you can catch these pieces in Leeds city centre in the buzz of Christmas at reetsweet on Dec 7th. Hurrah!
Showing posts with label the corn exchange. Show all posts
Showing posts with label the corn exchange. Show all posts
Thursday
Sunday
Introducing Magnetic Deluxe
One of the easiest things to buy those we love is a great piece of handmade jewellery. Something unique that captures their personality that's been carefully made rather than mass produced always impresses.
For the Dec fair we are proud to be bringing Magnetic Deluxe to the corn exchange.
Describing themselves as "...metal heads with a minimise to maximise design ethos, applied lovingly by hand to precious metals and jewels to create geometric shapes that are, wearable and make a statement. Items are designed with the wearer in mind, making comfortable and distinctive accessories you can wear everyday..."
All designs are made by hand in the UK by Laura-Jane Hemsley - a Leeds based jewellery designer producing contemporary, statement jewellery, hand made in small quantities in her studio.
Inspired by a love of angular shapes, symmetry and minimalism, Laura-Jane uses traditional silversmithing techniques, translucent acrylics and Swarovski Crystals to create her designs. Catch her at reetsweet on Dec 7th or find her online at:
Reet tweet: welcome back Nicola Hanrahan
Can I knit it? Yes you can! : Meet Studio Aitch
I don't know about you but at reetsweet HQ (also known as a chilly flat in Leeds) we are itching to put the heating on, but trying oh-so-hard to wait until the last moment. So knits is what we need, and Harriet from Studio Aitch will be back on Dec 7th at reetsweet with her utterly gorgeous pieces including her handhuggers which will keep us toasty, and her prints and brooches - which will warm your hearts instead. Hurrah!
She's a local gal, hailing from Sheffield and works from her home studio there. Here's just a taste of what you can expect from this awesome maker:
She's a local gal, hailing from Sheffield and works from her home studio there. Here's just a taste of what you can expect from this awesome maker:
Thursday
New flyer design from Steph for reetsweet christmas...
Big thanks to the awesome designer Stephsayshello who's been designing our look since year dot, she's outdone herself with our latest flyer design and these will be winging their around Leeds in flyer and poster form from next week. BAD ASS. Thanks Steph!
Reetsweet this saturday: The final roundup!...Sallyann Jewellery
Keep on popping back in the next 24 hours whilst we quickly run through the last of our bookingws for the fair this weekend.
If you love jewellery, you're in for a treat, as we welcome a unique silver jeweller Sarah...
'In 2010, I began an Interdisciplinary Art & Design
University course that in turn gave me to access to the fine metal/jewellery
workshop – I dropped the paintbrush and easel and found a Hammer and a bench. I
have not looked back since. I can’t get enough of the process of turning silver
sheet and wire into creations born from my mind into the portable art that is
jewellery.
I work predominately in sterling silver – my pieces are
classic and simple in design, although on occasion with quite complicated and
technical elements. Taking inspiration and starting themes from a number of
sources such as; Fairy stories and nature to fine art. My final year project is
based on the stories; Princess and the Pea, Rapunzel and Rumplestilskin.
The ‘Eclipse’ range takes its inspiration from the sun and
moons interaction during this time, the simple circle and the negative spaces
that occur within it. Removing a section
and replacing elsewhere. Texture is then applied using various materials.
All my pieces are individually made with the intention and
aim to never recreate the same piece twice.
On occasion I repurpose Sheffield sterling silver cutlery
items into jewellery – a spoon into a ring – a butter knife into a brooch. I
always use Sheffield silver items, as that’s my local assay stamp region. Some
people may frown on this, but I see it as giving the items a new lease of life,
bringing them from the backs of drawers and into the light - how often do people really show their spoons
off?
I love to work on commissioned pieces. Usually a piece of
jewellery is made, then through the purchasing and owning of it, memories and
emotions are then attached. By commissioning jewellery, emotions and memories
are used in its very design. It is born from those attachments. It is always more
then, than simply a piece of jewellery – it is a physical, tangible item that
will always invoke the memories and emotions that will be a powerful symbolic
object for the owner and subsequent generations that follow.
I create not
only jewellery, but portable art. I often, create a specific case or display
for the piece, to allow it to be viewed and on show, when not worn.'
See you on saturday - from 10am to 5pm at Leeds Corn Exchange!
Monday
April Fair Preview: Chrissie Freeth
Hailing from the fabulously crafty Saltaire, the mecca for northern artists, Chrissie Freeth will be joining us at the next Reetsweet on April 6th at Leeds Corn Exchange...
'I first learned to weave twenty years ago on a replica Viking warp-weighted loom built by a friend. Although my career as an archaeologist tended to focus on other areas I continued to create and study textiles and yarn and enjoyed the informal mentoring of two friends and renowned textile conservators, Sonia O’Connor and Rob Janaway.
Living in Saltaire it was impossible not to be inspired by its history, vibrancy and creativity and last year I began making and exhibiting hooked and prodded rag rugs, traditional mats that would have once adorned every house in the village in one room or another. I was used to exploring what interested me through the written word but began to see other possibilities and was eventually able to realise a dream when an old four shaft counterbalance floorloom came my way.
I live in a small cottage and it took some doing to find somewhere for him to live, but from the get-go we were a team, his dents, nicks and scratches guiding me through what needed to go where and how. He provides the means for me to explore my creative side and his technical and practical tantrums I have grown to love. He has also given me that link to the past which as an archaeologist I have always craved and when I sit before him I know I am making the same moves and decisions others have made for centuries before me, and on equipment that would have been little different to that they used.
In recent years there has been a growing interest in protecting heritage skills, skills which once have been commonplace but are now on the verge of being forgotten. Whilst modern day practitioners help to prevent their loss, unless they are shared there is little point in their preservation and for that reason I am always happy to teach, demonstrate and talk about spinning, weaving and my work.I am a friend of the Heritage Crafts Association, a member of the Guild of Long Draw Spinners and part of a Yorkshire based group of energetic designer/makers called Craft Soup.'
'I first learned to weave twenty years ago on a replica Viking warp-weighted loom built by a friend. Although my career as an archaeologist tended to focus on other areas I continued to create and study textiles and yarn and enjoyed the informal mentoring of two friends and renowned textile conservators, Sonia O’Connor and Rob Janaway.
Living in Saltaire it was impossible not to be inspired by its history, vibrancy and creativity and last year I began making and exhibiting hooked and prodded rag rugs, traditional mats that would have once adorned every house in the village in one room or another. I was used to exploring what interested me through the written word but began to see other possibilities and was eventually able to realise a dream when an old four shaft counterbalance floorloom came my way.
I live in a small cottage and it took some doing to find somewhere for him to live, but from the get-go we were a team, his dents, nicks and scratches guiding me through what needed to go where and how. He provides the means for me to explore my creative side and his technical and practical tantrums I have grown to love. He has also given me that link to the past which as an archaeologist I have always craved and when I sit before him I know I am making the same moves and decisions others have made for centuries before me, and on equipment that would have been little different to that they used.
In recent years there has been a growing interest in protecting heritage skills, skills which once have been commonplace but are now on the verge of being forgotten. Whilst modern day practitioners help to prevent their loss, unless they are shared there is little point in their preservation and for that reason I am always happy to teach, demonstrate and talk about spinning, weaving and my work.I am a friend of the Heritage Crafts Association, a member of the Guild of Long Draw Spinners and part of a Yorkshire based group of energetic designer/makers called Craft Soup.'
Wednesday
April Fair Preview: Charli's Cupcakes
We all need a sugary treat don't we? We have a new cakey mistress coming to the april fair for you on the 6th, in the form of Charli...
'I began baking many years ago and I am now fortunate to spread the love of cake amongst the people of Yorskhire. I do many fairs and large events and also help a lot of charities in their fundraising.'
Take a look at her website www.cupcakesleeds.net'
Twitter @charliscupcakes
'I began baking many years ago and I am now fortunate to spread the love of cake amongst the people of Yorskhire. I do many fairs and large events and also help a lot of charities in their fundraising.'
Take a look at her website www.cupcakesleeds.net'
Twitter @charliscupcakes
Monday
Feb Fair Preview: Two amazing ladies...
We have two makers for your perusal today, (I know my generosity knows no bounds!) Jenny and Lucy, two very talented designer/makers who will be sharing a stall at the Feb event on the 2nd.
Old friends, with big ideas, I think you'll find it hard to pick what to buy from these beauties, I pretty much want it all, as always!...
Coo & Co
The Coo & co brand was established in 2011 as the vehicle for the work of designer/ maker Jenny McCabe.
The mission behind Coo & co is to use natural and where possible recycled and upcycled materials, to make useful and stylish textile items.
The Coo & co brand was established in 2011 as the vehicle for the work of designer/ maker Jenny McCabe.
The mission behind Coo & co is to use natural and where possible recycled and upcycled materials, to make useful and stylish textile items.
All of Coo & co's work is printed and made lovingly by
hand one at a time, it is produced in a small studio near the beautiful Lake
District in the northwest of England. All our inks are water based and
environmentally friendly, we reuse as many off cuts as possible within our
designs so nothing is wasted.
Jenny’s designs are inspired by her observations of the
natural world, all the designs come from original drawings and are worked with
in the sketchbook until a pattern starts to emerge. The choice of fabrics is
very important to the style, natural and raw linens and cottons work best,
lending their beautiful imperfections to each piece.
Little lost soul
Lucy Pass has worked as a freelance artist since leaving college in 2005, producing commissioned oil paintings and expanding her personal port-folio. Her work is figurative and often interspersed with geometric shapes and blocks of colour. More recently she has rekindled her love of printing and fashion design. This has allowed her to look at her work from a new perspective, taking the strongest sections of her paintings and translating them into simplified, streamlined images. These images can then be printed as repeating patterns or as one distinct design, to be used on a broad range of products.
Lucy Pass has worked as a freelance artist since leaving college in 2005, producing commissioned oil paintings and expanding her personal port-folio. Her work is figurative and often interspersed with geometric shapes and blocks of colour. More recently she has rekindled her love of printing and fashion design. This has allowed her to look at her work from a new perspective, taking the strongest sections of her paintings and translating them into simplified, streamlined images. These images can then be printed as repeating patterns or as one distinct design, to be used on a broad range of products.
Not content unless her hands are busy making something,
there has never been a time when art hasn’t dominated Lucy’s life. She believes
that being surrounded by art and design can only have a positive impact, so
making it accessible to everybody, even to the smallest degree, is extremely
important.
Saturday
Dec fair preview: 'Tuesday's Child'
We are so excited about this new maker - Nicola Robson of 'Tuesday's Child'. Nicola makes impressively finished, original jewellery focusing on themes about woodland animals and seafaring, and they are simply perfect gifts. She will be joining us at our last event for 2012 at Leeds Corn Exchange on Dec 1st...
'I started up
Tuesday's Child after graduating a Fashion Marketing degree at
Northumbria University. I set up a studio on the family farm in
Northumberland where I started making jewellery from scratch using the
lost wax casting process. I take inspiration from many places including travel, the British countryside and vintage jewellery. My aim was to create a truly crafted collection of simple
pieces with a focus on detail that makes my jewellery unique. I also
wanted to create jewellery that was affordable and would last a
lifetime. I recently relocated to Leeds.'
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